Anna Parnell, Petticoat Rebellion movie

Petticoat Rebellion – The Movie!

Yes, at long last, the movie of the book is in development! Well, the early stages of development … the very, very early stages … but from tiny seeds do tall trees grow.

The Irish Film Board has agreed to reconsider ‘Petticoat Rebellion, The Anna Parnell Story’, for feature script development funding.

This means that, from next Monday, March 11th, I will start writing a ‘treatment’, i.e. an exciting short-story version, of the book. The Film Board will decide in May or June whether they will fund a full feature film script. And then it’s time to find a producer and put together a package of director, actors and everyone else the enormous team needed to make a feature film.

This week, I’m laid up in bed with a back strain, on painkillers, and unable to do much, other than poke my iPhone (hurray for the WordPress app for iPhone!) and read, which means I’ll be re-reading Petticoat Rebellion with fresh eyes.

Here’s to Petticoat Rebellion – The Movie!

Trish

interviews, radio

Talking History

Talking History interview on Newstalk Radio on Sunday 20th September.

Here’s the interview in MP3 format – it’s ten minutes long.

With thanks to, and the kind permission of, Newstalk!

Anna Parnell, reviews

Petticoat Rebellion review in Irish Times newspaper

Anne Dolan, a lecturer in Irish history at Trinity College, Dublin, wrote an excellent review of Petticoat Rebellion which was published in the Irish Times newspaper on Wednesday 5th August.

The review says that “Petticoat Rebellion portrays an Anna Parnell who understood the need for revolution on the land in a way that her brother never could; it depicts a progressive advocate of women’s social and political rights, and Groves’s portrayal might be right. Anna Parnell’s politics were the politics of building shelters for the evicted, the politics of the activist who could brook no compromise not even from her own brother, whom she considered a traitor for signing the Kilmainham Treaty.”

Anne’s only criticism of the book is that “it chooses not to question her [Anna’s] sometimes extreme methods, her obsessive need to revise the published version of events, or why she died the unknown Cerisa Palmer”. I would argue that Anna was only considered extreme by those who criticised her for being so active in her defence of the rural poor, and of her mission to ensure that the events of the day were accurately recorded.

In closing, however, Anne remarks that the book was written as a celebration of Anna’s life and work, and is “a gentle reminder that perhaps we need to consider “Madam Moonlight” a little more”. This, ultimately, was my primary motivation for writing the book, and I am delighted with Anne’s assessment.

You can read the full review in the Irish Times online